50. "Stand By Your Man," by Tammy Wynette.
Because conservative editorial wouldn't be conservative editorial without a gratuitous Hillary dis.
49. "Abortion," by Kid Rock.
I guess "Yodelin' In The Valley" didn't qualify.
38. "I Can't Drive 55," by Sammy Hagar.
Their comments: 'A rocker's objection to the nanny state.'
My comments: It's a rocker's objection to driving 55.
37. "The Night They Drove Old Dixie Down," by The Band.
The National Review's Southern strategy. What would Stephin Merritt say?
35. "Who'll Stop the Rain," by Creedence Clearwater Revival.
An anti-war song, which can't be very conservative unless you happen to be a four-star general these days, I guess. Wonder what they think of D. Boon's version?
34. "Godzilla," by Blue Oyster Cult.
Their comments: 'A 1977 classic about a big green monster — and more: "History shows again and again / How nature points up the folly of men."'
My comments: Uh, like this list?
29. "Rime of the Ancient Mariner," by Iron Maiden.
Their comments: 'A heavy-metal classic inspired by a literary classic. How many other rock songs quote directly from Samuel Taylor Coleridge?'
My comments: Yes, and let's ban all those raps inspired by that multiculti fraud Toni Morrison.
25. "The Battle of Evermore," by Led Zeppelin.
Their comments: 'The lyrics are straight out of Robert Plant's Middle Earth period — there are lines about "ring wraiths" and "magic runes" — but for a song released in 1971, it's hard to miss the Cold War metaphor: "The tyrant's face is red."'
My comments: But maybe he was drinking some of that Communist vodka.
24. "Der Kommissar," by After the Fire.
Conservatives dance! But only to really old Germanic pop songs.
23. "Brick," by Ben Folds Five.
You guys can have this.
20. "Rock the Casbah," by The Clash.
Give em enough rope!
18. "Cult of Personality," by Living Colour.
The only Black group on the list. What would Stephin Merritt say?
16. "Get Over It," by The Eagles.
You can have their entire catalog. Well, except for the opening breakbeat on "Those Shoes".
15. "I Fought the Law," by The Crickets.
Their comments: "The original law-and-order classic".
My comments: Joe Strummer rolls over again.
13. "My City Was Gone," by The Pretenders.
Their comments: 'Virtually every conservative knows the bass line, which supplies the theme music for Limbaugh's radio show. But the lyrics also display a Jane Jacobs sensibility against central planning and a conservative's dissatisfaction with rapid change: "I went back to Ohio / But my pretty countryside / Had been paved down the middle / By a government that had no pride."'
My comments: Hmmm. This one's interesting--because I'm sure the primary intended beneficiaries of trickle-down economics, low inflation, down-low protectionism, and sprawl--say, developers, bankers, corporate agriculture, music publishers, and the already stupendously rich would object to the lines that follow: "The farms of Ohio had been replaced by shopping malls/And Muzak filled the air/From Seneca to Cuyahoga Falls." I hope Malcolm Foster is getting PAID off that mealy-mouthed junkie. One of only three songs on the list written or sung by a woman.
8. "Bodies," by The Sex Pistols.
This should be the closing song at every conservative gala.
7. "Revolution," by The Beatles.
Their comments: 'Communism isn't even cool: "If you go carrying pictures of Chairman Mao / You ain't going to make it with anyone anyhow."'
My comments: Yup, and then after writing this, he took up with that longhair Yoko Ono and started singing about Angela Davis, John Sinclair, imagine no religion, and give peace a chance. Filthy Asians.
6. "Gloria," by U2.
Their comments: 'Just because a rock song is about faith doesn't mean that it's conservative. But what about a rock song that's about faith and whose chorus is in Latin? That's beautifully reactionary: "Gloria / In te domine / Gloria / Exultate."'
My comments: It's fun to see people use the word 'reactionary' in such a positive way.
5. "Wouldn't It Be Nice," by The Beach Boys.
Their comments: 'Pro-abstinence and pro-marriage: "Maybe if we think and wish and hope and pray it might come true / Baby then there wouldn't be a single thing we couldn't do / We could be married / And then we'd be happy."'
My comments: I don't hear the abstinence part, unless you think falsetto is inherently an anti-sexual technique. Truly, though, this song is so gay, it's a pro-gay marriage anthem.
4. "Sweet Home Alabama," by Lynyrd Skynyrd.
See #37. Also, it was an anti-Neil "Anti-War or Pro-War, Depending On The Polls" Young song. These days, I'm anti-Neil Young. Jeff's editorial wouldn't be Jeff's editorial if it weren't for a gratuitous Neil Young dis.
3. "Sympathy for the Devil," by The Rolling Stones.
Their comments: 'Don't be misled by the title; this song is "The Screwtape Letters" of rock. The devil is a tempter who leans hard on moral relativism — he will try to make you think that "every cop is a criminal / And all the sinners saints." What's more, he is the sinister inspiration for the cruelties of Bolshevism..."'
My comments: They could've admitted they chose this song for the triumphant line: "I shouted out who killed the Kennedys/When after all it was you and me." But this argument is as big a stretch as making "Who'll Stop The Rain?" an anti-Communist tune. It depends on the idea that the song might make you less sympathetic with the devil. Please. Most people I know who have heard this song--completely influenced by the Meters and New Orleans, and probably the best the Stones ever did--have fallen madly in love. That's why conservatives lost the culture war, and why progressives are losing the political war now. Americans want the fuck so badly that the art of seduction is always underrated.
2. "Taxman," by The Beatles.
I give on this one. A great song to listen to, like "Chi Chi Man" was several years ago. Then, oh shit, it means that?
1. "Won't Get Fooled Again," by The Who.
Their comments: "The conservative movement is full of disillusioned revolutionaries; this could be their theme song, an oath that swears off naive idealism once and for all...The instantly recognizable synthesizer intro, Pete Townshend's ringing guitar, Keith Moon's pounding drums, and Roger Daltrey's wailing vocals make this one of the most explosive rock anthems ever recorded — the best number by a big band, and a classic for conservatives.
My comments: Disillusioned revolutionaries love very long boring introductions...and Nissan Maximas.
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